The City of Bristol's Garden Wine Gardens: Foot-Stomping Fruit in City Gardens
Each 20 minutes or so, an ageing diesel train pulls into a spray-painted stop. Nearby, a police siren cuts through the almost continuous road noise. Daily travelers hurry past collapsing, ivy-covered fencing panels as rain clouds form.
This is maybe the least likely spot you anticipate to find a well-established vineyard. But James Bayliss-Smith has managed to 40 mature vines heavy with round mauve grapes on a rambling allotment situated between a row of historic homes and a local rail line just north of the city town centre.
"I've seen people hiding illegal substances or whatever in those bushes," says Bayliss-Smith. "But you just get on with it ... and continue caring for your vines."
The cameraman, forty-six, a documentary cameraman who also has a kombucha drinks business, is among several urban winemaker. He's pulled together a informal group of growers who make vintage from several discreet urban vineyards nestled in back gardens and allotments throughout Bristol. It is sufficiently underground to possess an official name so far, but the collective's messaging chat is called Grape Expectations.
Urban Wine Gardens Across the World
So far, Bayliss-Smith's allotment is the sole location registered in the City Vineyard Network's forthcoming world atlas, which includes better-known urban wineries such as the 1,800 plants on the hillsides of Paris's historic Montmartre area and over 3,000 grapevines overlooking and inside the Italian city. The Italian-based charitable organization is at the forefront of a initiative re-establishing urban grape cultivation in historic wine-producing countries, but has discovered them all over the world, including cities in Japan, South Asia and Uzbekistan.
"Vineyards assist cities remain greener and ecologically varied. These spaces protect land from development by creating permanent, productive agricultural units within urban environments," says the association's president.
Like all wines, those created in urban areas are a result of the soils the vines grow in, the vagaries of the weather and the individuals who care for the fruit. "A bottle of wine embodies the charm, community, environment and heritage of a urban center," adds the spokesperson.
Mystery Eastern European Variety
Returning to the city, Bayliss-Smith is in a race against time to gather the grapevines he cultivated from a cutting left in his garden by a Polish family. If the rain arrives, then the birds may seize their chance to attack again. "Here we have the mystery Eastern European grape," he says, as he cleans bruised and rotten berries from the shimmering bunches. "We don't really know their exact classification, but they're definitely hardy. Unlike noble varieties – Burgundy grapes, white wine grapes and other famous European varieties – you need not spray them with pesticides ... this could be a unique cultivar that was developed by the Soviets."
Collective Efforts Across the City
The other members of the collective are also making the most of sunny interludes between bursts of fall precipitation. At a rooftop garden with views of Bristol's glistening waterfront, where historic trading ships once floated with barrels of vintage from Europe and Spain, one cultivator is collecting her dark berries from about fifty plants. "I love the smell of these vines. The scent is so evocative," she says, pausing with a basket of fruit resting on her shoulder. "It recalls the fragrance of southern France when you roll down the vehicle windows on holiday."
The humanitarian worker, fifty-two, who has spent over 20 years working for humanitarian organizations in war-torn regions, unexpectedly inherited the vineyard when she moved back to the UK from Kenya with her household in 2018. She experienced an strong responsibility to look after the vines in the garden of their recently acquired property. "This plot has already survived multiple proprietors," she explains. "I deeply appreciate the concept of natural stewardship – of passing this on to someone else so they can keep cultivating from the soil."
Terraced Gardens and Traditional Winemaking
A short walk away, the final two members of the collective are busily laboring on the precipitous slopes of the local river valley. Jo Scofield has cultivated over one hundred fifty plants perched on terraces in her wild half-acre garden, which tumbles down towards the silty River Avon. "People are always surprised," she notes, gesturing towards the tangled vineyard. "They can't believe they can see grapevine lines in a city street."
Currently, Scofield, 60, is picking bunches of dusty purple dark berries from rows of vines slung across the hillside with the help of her daughter, her family member. Scofield, a documentary producer who has worked on Netflix's Great National Parks series and television network's Gardeners' World, was inspired to plant grapes after observing her neighbor's grapevines. She has learned that hobbyists can produce intriguing, pleasurable traditional vintage, which can command prices of upwards of £7 a glass in the increasing quantity of establishments specialising in low-processing vintages. "It is deeply rewarding that you can actually make good, traditional vintage," she states. "It's very fashionable, but really it's resurrecting an traditional method of producing wine."
"During foot-stomping the fruit, the various natural microorganisms come off the surfaces and enter the juice," says Scofield, partially submerged in a container of tiny stems, seeds and crimson juice. "That's how vintages were historically produced, but industrial wineries introduce sulphur [dioxide] to eliminate the natural cultures and then incorporate a commercially produced culture."
Difficult Environments and Creative Solutions
In the immediate vicinity active senior Bob Reeve, who motivated Scofield to establish her grapevines, has assembled his friends to harvest Chardonnay grapes from the 100 plants he has laid out neatly across two terraces. The former teacher, a northern English PE teacher who taught at Bristol University developed a passion for wine on regular visits to Europe. However it is a difficult task to grow Chardonnay grapes in the dampness of the valley, with temperature fluctuations moving through from the Bristol Channel. "I wanted to produce French-style vintages here, which is somewhat ambitious," admits the retiree with a smile. "Chardonnay is late to ripen and very sensitive to mildew."
"I wanted to make Burgundian wines here, which is a bit bonkers"
The temperamental Bristol climate is not the sole challenge faced by grape cultivators. The gardener has had to erect a barrier on